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FILIPINO ART FILMS FEATURED AT THE NATIONAL GALLERY OF SINGAPORE’S INTERNATIONAL FILM FESTIVAL

PRESS RELEASE
PR-041-2022

(20 July 2022, Singapore) – Filipino art films are featured in the “Painting with Light: Festival on International Films on Art” taking place from 1 to 24 July 2022 at the National Gallery of Singapore (NGS).

With the re-opening of NGS to its full capacity screening this year, the Painting with Light Festival returns to the Gallery for its fifth edition with the theme, “Interventions in Space.” Included among the fifty (50) international films were those created by Philippine filmmakers such as Rod Paras-Perez (Conversation in Space, 1961), Roque Federizon Lee, also known as Rox Lee (The Great Smoke, 1984; ABCD, 1985), Nonoy Marcelo (Tadhana, 1978), Victor Balanon (The Somnambulist, 2013), Janus Victoria (Mito ng Maynila, 2021), Don Josephus Rafael Eblahan (The Headhunter’s Daughter, 2022) and Carlo Francisco Manatad (Jodilerks Dela Cruz, 2017).

Curated under different programmes, the film festival features a line-up of experimental animation films from Southeast Asia from the 1960s to 1980s which include the world premiere of the NGS commissioned 4K digital restoration of the silent film by Rod Paras-Perez entitled Conversation in Space (1961) – one of the earliest animations and experimental films from the Philippines.

Another featured silent film in the festival is Roxlee’s first solo film, The Great Smoke (1984) – a biting satire on nuclear destruction, comprising found footage, collage, and animated drawings. The film was made during the Cold War, conveying the anxieties of nuclear power at a tense time in history.

The highlight among the roster of Philippine films is Tadhana (1978), the first Philippine full-length animated film directed by the late cartoonist Nonoy Marcelo. Commissioned by the former President Ferdinand E. Marcos, Sr. and based on the history book of the same title that he likewise authored, the film premiered on Philippine television during the 6th anniversary of Martial Law in 1978. It presented a satirical, humorous and poignant view of the Philippines’ history of the Spanish colonization through highly original and surreal vignettes fusing art, mythology and music.

A post-screening dialogue of Tadhana with prominent individuals from the Philippine Film and Animation scene such as Mr. Ricky Orellana, Director of the Mowelfund Film Institute of the Philippines and Board Member of the Animation Council of the Philippines and DengCoy Miel, Filipino visual artist and veteran cartoonist of The Straits Times, together with NGS Filipino curator Clarissa Chikiamco followed the 17 July 2022 screening of Tadhana.

To show support for Filipino art films, the Philippine Embassy in Singapore, led by  Chargé d’ Affaires Emmanuel R. Fernandez, attended both the screening of Tadhana and its post-screening dialogue. (END)

 

 

 

(From L-R) National Gallery Singapore (NGS) Filipino curator Clarissa Chikiamco, Filipino visual artist and veteran cartoonist of The Straits Times DengCoy Miel, and Director of the Mowelfund Film Institute of the Philippines and Board Member of the Animation Council of the Philippines Ricky Orellana discuss the film Tadhana after its screening at NGS on 17 July 2022.
National Gallery Singapore Filipino curator Clarissa Chikiamco shows a copy of the book Tadhana authored by former President Ferdinand E. Marcos, the pages of which inspired the commissioning of Nonoy Marcelo to make the first Philippine full-length animated film of the same title.
(From L-R) Mrs. Alicia Kalaw-Fernandez; Chargé d' Affaires Emmanuel R. Fernandez; Ricky Orellana, Director of the Mowelfund Film Institute of the Philippines and board member of the Animation Council of the Philippines; Ms. Clarissa Chikiamco, Curator at the National Gallery in Singapore; Third Secretary and Vice Consul Joy Anne B. Lai; and Cultural Officer Rosellie L. Bantay pose for a photo after the initial screening of Tadhana last 16 July 2022. In the background is the painting of Juan Luna, España y Filipinas (Spain and the Philippines), currently displayed at the NGS Singtel Special Exhibition Gallery C.